| I came upon a fragment, one anterior lion felling one anterior bull. I was in a museum so can’t call it life, but here I felt my life come down the continual downhill grade of the path from the ancient marble quarry the dark marble here was quarried from. First with form and then with stone, I came in love upon a fragment and should have loved the pressure most. I have a mother and a query. I quarreled with my father the day my son was born and am the father now. As a girl I flipped over my handlebars flying down a different hill every time. I had a childhood friend named Jill and an anti-carjacking device called a club I policed myself with by thinking hard of my membership in and a keen sense of the end of belonging. I drove my car into a house, my house into the earth, and I’m grinding the earth into hell. I want to be more true to the material world. The wild upon the bull, the chisel upon the wild. But it’s either true or it isn’t. How can I be more than what I am. I want to stop identifying with the caliper or the marble, the lion, its marble mane, or the meat the lowing cow watched its mate become and be the altering heat again. I stood before the fragment and asked what doesn’t want to be whole? I’ve never found fragmentation as beautiful as objects that survive the fall of civilization intact. Half-lion felling half-bull, I feel pressure in the forms to conclude; a coming storm; electricity in the air; an intention; but whose? I saw crudeness in the ware the crudeness of something itself unfulfilled. And then something else was exhumed in Athens. All I needed to see was an inch of hindquarter of lion or bull to love the world to its conclusion but a second front entirely is forming. Mythology is sweet, but husbandry is history. The head of another lion rises out of the gridded pit having nothing to do with symmetry. A colossal miscounting of lions felling a sole bull. Two irreducible lions made of the same material as me will come upon me and the pressure that made them makes more of them than it makes of me. The pressure that makes makes more of them than it ever made of me. Out of proportion, out of the quarry, great pressure is forming, a thunder, I feel a great pressure positioning me. It has no regard. Copyright © 2014 by Robyn Schiff. Used with permission of the author. |
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