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Because when I saw a horse cross a river separating two countries and named it Ghost Rubble it said No my name is 1935 because it also spoke in tongues as it crossed the black tongue of the water because it still arcs through me with its zodiac of shrapnel-bright stars because the river’s teeth still gnash against its flank and its eyes still have the luster of black china glowing black-bright in the glass hutch of memory because a horse’s skull is a ditch of wildflowers because a horse’s skull is a box of numbers a slop bucket resting upside down under barn eaves wind in an empty stockyard orange clay that breaks shovel handles with a shrug because a horse is the underwriter of all motion because a horse is the first and last item on every list of every season and because that night the air smelled green as copper and lath dust and that night as it scrambled up the bank and stamped past me it said Unlike you I am the source of all echoes.
“Barry Lopez wrote somewhere that landscape is the culture that holds all of human culture. In my own writing, I’m obsessed with the real and imagined landscapes of rural Oregon, especially that hinterland where landscape and dreamscape flow in and out of each other. In the case of this poem, which is one section of a book-length meditation, I wanted to directly address the imagery, idea, and mythology of origin.” —Michael McGriff
Michael McGriff is the coauthor (with J. M. Tyree) of Our Secret Life in the Movies (A Strange Object, 2014) and the author of Home Burial (Copper Canyon Press, 2012). He teaches at The Michener Center for Writers at the University of Texas at Austin, and lives in Austin.
Launched during National Poetry Month in 2006, Poem-a-Day features new and previously unpublished poems by contemporary poets on weekdays and classic poems on weekends.
Thanks for being a part of the Academy of American Poets community. To learn about other programs, including National Poetry Month, Poem in Your Pocket Day, the annual Poets Forum, and more, visit Poets.org.
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