| Mice drink the rainwater before dying by the poison we set in the cupboard for them. They come for the birdseed, and winter is so grey here the sight of a single cardinal can keep us warm for days. We’ll justify anything—and by we, I mean I, and by I, I mean we, with our man-is-the-only- animal-who and our manifest destiny, killers each of us by greater or lesser degrees. Instead of a gun or knife in my pocket there are two notes. Unwhich the// dandelion, reads one. I don’t know what it means but cannot throw it away; it is soft as cashmere. The other says: coffee, chocolate, birdseed. I should be extinct by now, except I can’t make it on to that list either. Like toothpicks made of plain wood, some things are increasingly hard to find. Even when he was a young drunk going deaf from target practice, my father preferred picking his teeth to brushing them. My mother preferred crying. They bought or rented places on streets named Castle, Ring, Greystone— as if we were heroes in a Celtic epic. Our romanticism was earned, and leaned toward the gothic, but lichen aimed for names on gravestones far lovelier than our own. It seemed to last a long time, that long time ago, finches pixelating the hurricane fences, cars idling exhaust, dandelions bolting from flower to weed to delicacy, like me. Egyptians prepared their dead for a difficult journey; living is more —I was going to say, more difficult, but more alone will do, imprudent— unlike art—always falling below or rising above the Aristotelian mean. In France, a common rural road sign reads: Animal Prudence. Purely cautionary, it has nothing to do with Aristotle, but offers sound advice nonetheless. These days, I caution my father more than he ever cautioned me. He hears his aural hallucinations better and shows greater interest: sportscasters at ballgames, revelers at the parties he insists on. He’s got all his own teeth, so toothpicks must do the job. His pockets fill with them. There are always half a dozen rattling like desert bones in my dryer. I think of the mason who chiseled his face in the cathedral wall; he couldn’t write his name. The yellow bouquets I’d offer my mother by the fistful also got their name in France: dent de lion, meaning teeth of the lion. Copyright © 2016 Kathy Fagan. Used with permission of the author. |
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