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with her face— Concealed her seeds stars' dull hatchets behind the black bark of the moon and the whole forest grew when they uttered the ancestors' old notion that those who have been buried with a little honey after marshaling a mournful sound thrown in circular waves to the west can appropriate similar words for Creek, like Rattle-wing— the flower which expresses the fruit.
"This poem is the first in a series of sixteen poems entitled, collectively, 'The Shadow Poem,' based on erasures of seven texts written by explorers or Indian agents to Creek Country (present-day Georgia, Alabama, and Florida) from 1527 to 1828. 'The Shadow Poem' is part of a larger work that experiments with form and source material to explore and expose areas of invisibility in landscape and history, specifically that of the Muskogean origins in the American Southeast. This is a poem of questions: how does the imprint of the past on our future generate growth? What threats or masks do faith or hope preserve? As our language transforms with our ecology, what new responsibilities to language should we/could we be more aware of?" —Jennifer Foerster
Jennifer Foerster is the author of two collections of poetry, most recently Bright Raft in the Afterweather (University of Arizona Press, 2018). She teaches at the Institute of American Indian Arts' Low Residency MFA in Creative Writing and at the Rainier Writing Workshop. A member of the Mvskoke (Creek) Nation of Oklahoma, Foerster lives in San Francisco.
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