Let there be footfall and car door. Let me be finished with fire. Let the man get on a plane for his morning departure, erasing each reverie. Soon there will be only daylight, maybe a blue envelope, torn. Maybe bracelets of color from the petunias. I will need to know how to recover the familiar, how to open the door in the evening. How to again lock it. Almost everything about me goes unspoken, but commas and colons. I live with this heart rate, multiple times, its direction, its tempo: my 4/4 with acceleration, sometimes tuned to an alternate signature. Think of Brubeck’s “Take Five.” Those blocky chords were the result of an accident—dead on arrival, they said, after he smashed to the surf. Think how he switched it around, made his hands do what he wanted to hear, and forgive me for the analogy. May I never rush a surge for a better experience. Every Sunday all over the country, apologies gather. When I’m not in this small cottage, unreacting, I cascade sound and a few sentences from a cramped room to whoever will listen. I know some people think it is sinful to love such temptations, but I stay with my face soft against microphone, announcing my moral directions. Sometimes, I’m convinced my blood needs all those crossings. I’m not after absolution. The man I love taught me to want without lyrics. Remember I haven’t gone anywhere. I’m in a thirsty way sort of possessive. I shouldn’t show you this side of myself. Try to remember I’m also praised for my kindness. We each need to learn to turn off some dreams so we can play hours without creases. Copyright © 2014 by Lauren Camp. Used with permission of the author. |
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