Some nights, I rise from the latest excuse for Why not stay awhile, usually that hour when the coyotes roam the streets as if they’ve always owned the place and had come back inspecting now for damage. But what hasn’t been damaged? History here means a history of storms rushing the trees for so long, their bowed shapes seem a kind of star— worth trusting, I mean, as in how the helmsman, steering home, knows what star to lean on. Do people, anymore, even say helmsman? Everything in waves, or at least wave-like, as when another’s suffering, being greater, displaces our own, or I understand it should, which is meant to be different, I’m sure of it, from that pleasure Lucretius speaks of, in witnessing from land a ship foundering at sea, though more and more it all seems related. I love the nights here. I love the jetty’s black ghost-finger, how it calms the harbor, how the fog hanging stranded just above the water is fog, finally, not the left-behind parts of those questions from which I half-wish I could school my mind, desperate cargo, to keep a little distance. An old map from when this place was first settled shows monsters everywhere, once the shore gives out—it can still feel like that: I dive in, and they rise like faithfulness itself, watery pallbearers heading seaward, and I the raft they steady. It seems there’s no turning back. Copyright © 2015 by Carl Phillips. Used with permission of the author. |
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