I. The rung wide receiver forgets why he set his keys on the football field. Whose are they? he asks—a ringing in his ear—while clenching the green. As if on the edge of a pool, he tilts his head to drain water out of his canal. It was like that, all the time, after. How many fingers? he was asked, and not to tell a lie—it would mean his career. It would mean recognizing you without your jacket when you walked out of the room. It would mean you could say, Stay here with me, and in his eyes could watch him come back. II. I spiral the parking lot, singing, It’s alright, I’m alright, while I count the pole lights back to my car. I practice red, table, lamp with a neuropsychologist and now I can tell you about how my brain blew in the acceleration. I was in a locked position—the details unbearably clear in the replay and, still, no one else heard me swallow the impact. Bend at your hips from your two-point stance and, there, the muffler is a finger wagging one one one inches from the ground. The tire-less car rests on its crutch of blocks, the windows a crunch of glass. Are you feeling the rush now as you look to me, your brain still in your head—is it still in your head? Can you point for me where it happens in the connection, where on the line the old equipment resets itself and loops? Is what you say the truth? Copyright © 2016 Janine Joseph. Used with permission of the author. |
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