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Friday, September 20, 2013

Poem-A-Day: E.H. by John Koethe

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E.H.

 

"Sometimes I stand in the middle of the floor,

Not going left, not going right."

-- Stephen Sondheim

 

I like to get drunk and I like to write.

I search for ways in and can't find them,

But that doesn't mean they're not there. What isn't

There is the life between the words, the life that existed

Beyond the words, the life I don't have anymore.

In Michigan the feelings soaked the page,

Yet now they seem diminished in the telling

And no longer in our time, no longer of our place,

But in another country, one of an imagination

Anchored in a style; no longer in the stream

Or swamp, where the fishing was tragic.

 

I (whichever I this is) saw Follies last year.

The Weismann Girls come back to stand for what they were

And aren't anymore, in a theatre slated for demolition.

Sally is a prisoner of her rage and her imagination,

Pining for the magic of what might have been

Until the spell breaks, leaving her alone on the stage

Amid the shards of her illusions. As she looks around

For what she is, all she can find is her age: 

"I'm forty-nine. That's all I am."

 

Why do I get so angry? Why do I assume

The characters I love, the characters I love and hate?

There's a corruption from which I've never recovered

That diminishes me each day, until I can't tell which I am

Anymore, the mask or the face. The boat in Havana:

Last time was the last time. The stirring begins each night

And continues through the day here in a home that isn't home,

With Michigan far away, the finca far away, alone

In the vestibule in the early morning light, imagining

The feeling of cool steel against my forehead

And the sound of two drawers slamming.

I'm sixty-two. That's all I am.

 

 

 

 

Copyright © 2013 by John Koethe. Used with permission of the author.  

About This Poem

"I was reading an interesting book called Hemingway's Boat by Paul Hendrickson around the same time I saw a revival of Stephen Sondheim's Follies on Broadway. My way of writing is basically associative, and Hemingway and Sondheim's character Sally seemed to me pathetic and heartbreaking in different ways, and I wound up putting them together in this poem."

  

--John Koethe

Most Recent Book by Koethe

(Harper Perennial, 2012)


 

 

 

 

 

September 20, 2013

 

John Koethe's books include ROTC Kills (Harper Perennial, 2012) and Ninety-fifth Street (Harper Perennial, 2009), which received the 2010 Lenore Marshall Prize from the Academy of American Poets. Koethe is Distinguished Professor Emeritus at the University of Wisconsin, Milwaukee. 
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