| Mira, like a white goddess, is translating so my left ear is a cave near Kotor where the sea lashes and rakes the iron darkness inside the black mountains. Young and old, the poets are letting us know this sweltering night, under a bridge near a river outside Karver Bookstore at the beginning of July, belongs to them. They clear away debris about politicians and personal suffering, these gladiators of desire and doubt, whose candor has roiled me like a child shaking stolen beer to foam the genie of the moment out of its bottle. The poets’ truth-wrought poems dragging it out of me, that confession—that I didn’t have children probably because in some clear corner I knew I would have left them to join these poets half a world away who, in their language that is able to break stones, have broken me open like a melon. Instead of children, I leave my small dog, quivering as I touched her on the nose, to let her know it’s me, the one who is always leaving her, yes I’m going, and for her I have no language with which to reassure her I’m coming back, no—what’s the use to pretend I’m a good mistress to her, she who would never leave me, she who looks for me everywhere I am not, until I return. I should feel guilty but the Montenegrin poets have taken false guilt off the table. I’ve been swallowed by a cosmic sneer, with an entire country behind it where each day it occurs to them how many are still missing in that recent past of war and havoc. Nothing to do but shut the gate behind me and not look back where my scent even now is fading from the grass. Nostalgia for myself won’t be tolerated here. I’m just a beast who, if my dog were a person, would give me a pat on the head and say something stupid like: Good dog. Copyright © 2015 by Tess Gallagher. Used with permission of the author. |
0 comments:
Post a Comment